GREAT LIVE SOUND TRANSLATES THE ARTIST'S TRUE ABILITIES TO THE AUDIENCE.

IT SHOWS THE PASSION AND ENERGY THEY BRING TO THEIR MUSIC.

WE TAKE DOING SOUND IN A CLUB OR VENUE SERIOUSLY.

WE CARE: WE DON'T EVER READ OR SPACE OUT ON A SHOW! (...hate that)

Having the artist connect to the audience is all that matters!

How many times has the stage sound been so bad that you totally hate your mix?

You can't hear what you are doing. You can't tell what's up. It sucks!

How many times has the mix sound been so bad that you hear it from your fans after the show?

How many times have you gone to a show hoping it will be great and the sound sucks? Frustrating, huh?

That's really bad for any band's rep.

Our monitor and audiences mixes are clean and slammin'.

People will rave about how it sounded.

We start at 100 per show on up, depending on who does the monitors/mixing and how long the gig is.

You will not be disappointed.

Matt Shaw won a Grammy for his live work with Steven Curtis Chapman and has worked on many national caliber live shows. He has worked with such artists as:

Fleet Foxes, Vampire Weekend, The Hands, The Hold Steady, Presidents of The USA, Everclear, John Paul Jones (Led Zeppelin), Nirvana, MTV Live and Loud, Love Battery, Gin Blossoms, Sonic Youth, Mudhoney, Pearl Jam, Smashing Pumpkins, Cowboy Junkies, Toad The Wet Sprocket, LoveMongers, Matthew Sweet, Candlebox, The Posies, Seattle Symphony, Steve Miller, Warner Bros., Disney Corp., Republic Pictures, and Seattle Music.